Productions

BCF 2nd Stage presents

12th Annual 24 Hour Theatre Festival

12th Annual 24 Hour Theatre Festival Logo
  • Feb 21 at 8pm

In just 24 hours, starting Friday night at 8PM, teams of actors and writers come together to create a short play. They are given certain parameters to meet and then the craziness begins! They write, direct, and rehearse in preparation of presenting their original works for you at 8PM on Saturday. Plays can be about anything and everything so be prepared to sit back and enjoy whatever comes your way!

BCF 2nd Stage presents

Curtain Rising: Staged Readings of New Works 2026

Curtain Rising: Staged Readings of New Works 2026 Logo
  • Feb 27, 28 at 8pm
BCF Children's Theatre presents

Mary Poppins Jr

Original Music and Lyrics by Richard M. Sherman and Robert B. Sherman; Book by Julian Fellowes; New Songs and Additional Music and Lyrics by George Stiles and Anthony Drewe; Co-Created by Cameron Mackintosh

Mary Poppins Jr Logo
  • Spoon Cast (Mar 20),
    Sugar Cast (Mar 27) at 7pm
  • Sugar Cast (Mar 21),
    Spoon Cast (Mar 28) at 11am
  • Sugar Cast (Mar 21),
    Spoon Cast (Mar 22),
    Spoon Cast (Mar 28),
    Sugar Cast (Mar 29) at 1pm
  • Sugar Cast (Mar 21),
    Spoon Cast (Mar 22),
    Spoon Cast (Mar 28),
    Sugar Cast (Mar 29) at 3pm

Step into the magical world of Cherry Tree Lane with Mary Poppins Jr., a heartwarming and high-energy musical that’s perfect for the whole family! Based on the beloved Disney film and Broadway hit, this junior adaptation brings everyone's favorite nanny to life with unforgettable songs like “A Spoonful of Sugar,” “Supercalifragilisticexpialidocious,” and “Let’s Go Fly a Kite.”

Mary Poppins Jr. promises whimsy, wonder, and a celebration of imagination. With dazzling choreography, colorful characters, and a story that reminds us that anything can happen if you let it.

BCF 2nd Stage presents

Walking on the Moon

By Jason Milligan

Walking on the Moon Logo
  • Apr 10, 11, 16, 17, 18 at 8pm

Ex-astronaut Chad Williams was the last man ever to walk on the moon … and the only man to have been disgraced on the lunar surface!  Permanently blacklisted by NASA, Chad has been reduced to a life of humiliation, eking out a living as a third-rate celebrity pitchman on late-night TV commercials (“carpet so soft, you’ll swear you’re walking on the moon!”).   Chad is presented with an opportunity to redeem himself and regain his place in the spotlight, and blasts off into an orbit of celebrity infamy.  Walking on the Moon has been called "a scathing parody of the dark side of human nature," and "biting satire."

Pirates of Penzance

Book and Lyrics by William Gilbert; Music by Arthur Sullivan

Pirates of Penzance Logo
  • May 1, 2, Understudy Performance (May 7),
    8, 9, 14, 15, 16 at 8pm
  • May 3, 10 at 2pm

The Pirates of Penzance is a swashbuckling operetta full of hilarity, hijinks, and heart. Join Frederic, a duty-bound young pirate apprentice, as he grapples with love, loyalty, and ludicrous legal loopholes. With Gilbert and Sullivan’s signature wit and catchy melodies, this delightful tale pits tender romance against uproarious misadventure. Expect bumbling policemen, noble pirates, and a cast of characters so absurdly endearing, they’ll steal your heart—without looting your valuables. Fast-paced, family-friendly, and musically masterful, The Pirates of Penzance is a joyous escape into a world where operatic absurdity reigns supreme.

BCF 2nd Stage presents

Hamlet and Gretel: Original Practice

Hamlet and Gretel: Original Practice Logo
  • Jun 5, 6 at 8pm

Hamlet and Gretel: Original Practice takes audiences on a wild, imaginative journey where Shakespearean drama collides with timeless fairy tales—all performed in the spirit of Elizabethan theatre. Before scripts were printed and rehearsal rooms were standard, actors took the stage with little preparation and even less predictability. In this bold experiment, we return to that raw, spontaneous tradition. A night of Shakespeare’s highlights performed using Original Practice: minimal rehearsal, cue scripts, and a healthy dose of chaos. And just for fun... we'll use the same technique with your favorite fairy tales. Each performance is unique, alive, and utterly unpredictable—just the way Shakespeare wanted it.